1.
Kaipa
Website Audio
Sample |
In The Wake of
Evolution
|
CREDITS
Hans
Lundin
acoustic & virtual keyboards, vocals
Per
Nilsson
electric guitars
Morgan
Ågren
drums
Jonas
Reingold
electric basses
Patrik
Lundström
vocals
Aleena
Gibson
vocas
|
The last
time these guys did an album it topped my list. They are just great
compositionally, and the musicianship and vocals are stellar. But I can't
stop thinking "we need to see this stuff performed live!" I
contacted them this year and found out that they haven't played out in
like 10 years and they have no intention to. I can't help but being
reminded of a quote attributed to Mike Portnoy. And even though its out of
context and probably misquoted here it is: "If they don't play live,
they aren't a real band". So with that reservation, this is my
favorite CD from 2010. |
|
2
. Jeavestone
Website
Audio
Sample
|
1 + 1 = OK
|
CREDITS
Jim Goldworth
vocals, guitar
Mickey Maniac
guitar, vocals
Tommy Glorioso
bass
Angelina Galactique
flute, keys,vocals
Kingo
drums
|
I have
to thank Jeavestone for making me aware of the importance of shiny ankles.
I now get schwankled regularly! They are some wacky Fins with lighthearted
but heavy musiked songs and I find it quite endearing. Off the beaten
trail but not TOO far, my number 2 CD comes from this band that was
recently announced as part of the NearFest 2011 lineup. I may just have to
go to see them. They're that much fun. |
|
3
. District 97
Website
Audio
Sample |
Hybrid Child
|
CREDITS
Jim
Tashjian
guitars
Rob
Clearfield
keyboards
Patrick
Mulcahy
bass
Jonathan
Schang
drums, tambourine
Leslie
Hunt
vocals
Katinka
Kleijn
cello
|
This
is a band that has members way below the standard age curve for prog, and
it gives me hope for the future. Members include an American Idol finalist
and a cellist from the Chicago symphony orchestra and their sound
correspondingly is quite fresh and appealing. They made a slew of fans at
their maiden festival appearance last year (CalProg) and they are booked
at ROSfest 2011. I see nothing but blue skies ahead for this talented and
entertaining band. If you haven't already, check them out! |
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4
. MoeTar
Website
Audio
Sample |
From These Small Seeds
|
CREDITS
Moorea Dickason
Vocals
Tarik
Ragab
Compositions, Bass
Matt
Lebofsky
keyboards, Compositions
Matthew
Charles Heulitt
Guitar
David
M Flores
Drums
|
You know
how most times when you hear a new band for the very first time your mind
tries hard to classify them and you find yourself thinking "they
sound like ___" or "they remind me of ____" or "I hear
a little ____ in them"? When I listened to MoeTar for the first time,
all I could think was "well this is different." Yes, as strange
as it is, sounding original is not very common, but these guys do. Moe has
a strong but sexy, well controlled voice that I find rather pleasing. And
the music is a kind of jazz/fusion/prog/pop hybrid, but in doses that
leave the music accessible enough to be catchy. Some of the songs stray a
bit too far into the abstract jazz arena for my likings, but the ones that
don't are just killer. And I was surprised to find out that Matt Lebofsky
(keyboards/composition) plays bass with the band miRthkon. There's
something in the water up in Oakland, as a very interesting set of artists
seem to be emerging from there. Anyways, please enjoy MoeTar, I sure do! |
|
5
. Hasse
Froberg and the Musical Companion
Website
Audio
Sample |
Future Past
|
CREDITS
Hasse
Fröberg
vocals, guitar
Anton
Lindsjö
leadguitar
Ola
Strandberg
drums
Kjell
Haraldsson
keyboards
Thomas
Thomsson
bass |
When the
hair-thrashing power singer from The Flower Kings struck out on his own, I
wasn't sure what to expect. Often such solo projects are kind of
one-dimensional, even if they are entertaining. And maybe because of the
name (...and the Musical Companion) I had images before hearing
them that it would be a lot of ballads and folksy music. But man was I
wrong. Not only did Hasse bring his A game, the musicians in the band are
top notch and the songs proggy as hell. Every song on this one is
satisfying. What a great accomplishment for yet another Swede that I call
friend. |
|
6
. Spock's
Beard
Website
Audio
Sample |
X
|
CREDITS
Ryo
Okumoto
Hammond organ, Keyboards, mellotron
Dave
Meros
bass, vocals, keyboards
Alan
Morse
guitars, vocals
Nick
D'Virgilio
drums, percussion, vocals
|
Spock's
Beard is back! These veterans have been around for a long time and they
play a very special part in my prog journey. It broke my heart when Neal
Morse left the band after "Snow", and they struggled for the
next few albums to find their way, but with "X" they
finally have. There is a confidence and identity in this record that had
been spotty since the departure of Morse. But they are firing on all four
cylinders now, and this one rocks hard but still retains the complexity we
expect from good prog. And they retain the sometimes whimsical lyrics and
delivery that is the hallmark of the Beard. As Alan Morse would say: Raaawwwkkkkk!
dude. |
|
7
. Moon Safari
Website
Audio
Sample |
Lover's End
|
CREDITS
Simon
Åkesson
Vocals, piano, organ, moog, mellotron, keys
Petter
Sandström
Vocals, acoustic guitar & harmonica
Pontus
Åkesson
Vocals, acoustic guitars, electric guitar
Johan
Westerlund
Vocals, bass guitar
Tobias
Lundgren
Vocals, drums, percussion.
|
Another
Swedish band (what's in their water???) I can think of no band that
has had a more polarizing effect on listeners at PapaJ's Matinee than Moon
Safari. Their trademark is their lush and intricate 4 and 5 part
harmonies. Some compare them to the Beach Boys, others to Manhattan
Transfer or the Harry Connick Singers. But to me they bring to mind the
harmonies of the Carpenters. Personally I love their music having been a
life long devotee of multi-part vocals, having been a member of church
choirs, jazz choirs, and even SPEBSQA (look it up). But I also
understand the critics who complain the music is too saccharine and
"happy". That is there to be sure, and too much can induce an
aural diabetic coma. But all that considered, I love their singing
and nobody out there is doing what these guys do. This record would be
higher on this list if they swapped out some of the folksy feel for a more
complex prog musical foundation and maybe varied their dynamics a bit. But
hey, I still like these guys an awful lot! |
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8
. Agents
of Mercy
Website Audio
Sample
|
Dramarama
|
CREDITS
Nad
Sylvan
Vocal, Keyboards
Roine
Stolt
Guitars
Jonas
Reingold
Bass
Lalle
Larsson
Keyboards
Mikael
Wahlgren "Walle"
drums
|
The
second outing for Agents of Mercy features the distinctive vocal style of
Nad Sylvan and the tasty and soulful guitar licks of Roine Stolt. And even
though at CalProg '09 we learned of the keyboard wizardry of Lalle
Larsson, his board parts in AOM are reserved and mostly play a supporting
role. And of course Jonas is one of the tastiest bass players in music
today. This feels more like a band than the first record did, and the
writing somehow seems to have matured and become more focused. The album
plays well on many fronts with "Dramarama" being a somehow
appropriate title. |
|
9
.
Helmet
of Gnats
Website
Audio
Sample |
High Street
|
CREDITS
Chris Fox
Guitars
Matt
Bocchino
Keyboards
Wayne
Zito
Basses
Mark
Conese
Drums, Percussion |
This
Connecticut based quartet mixes up equal parts jazz, fusion, prog and rock
to make a mellow and satisfying musical stew. Never harsh or gnarly, but
always smooth and satisfying, when I'm in the mood for instrumental music
that doesn't assault my senses no one brings it better than HOG. If you
like exceptional musicianship that doesn't beat you over the head with
chops, this is for you. |
|
10.
The Tea Club
Website
Audio
Sample |
Rabbit
|
CREDITS
Patrick McGowan
Vocals, Guitar
Dan McGowan
Guitar, Vocals
Becky Osenenko
Bass
Jim Berger
Guitar
Tom Brislin
Keyboards
Kyle Minnick
Drums |
This
band from the eastern US first came to my attention early this year with
an album released in 2009 entitled "General Winter's Secret
Museum". If I had heard about it sooner it definitely would have made
the list last year. Having been referred to me by Brett Kull (echolyn)
they certainly had good references, and their music was hard edged but
melodic and had instant appeal. This year they followed up with
"Rabbit". Even though I didn't like it quite as much as their
first, there's still a lot here to like, including my dear friend Tom
Brislin guesting on keyboards. With a little promotion I think they are
bound for wide recognition in the prog community. |
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